Abhilash S. Kumar’s debut film, starring Sreenath Bhasi, tells an intriguing story a few violent man’s final days, however leaves quite a bit unexplained

Abhilash S. Kumar’s debut film, starring Sreenath Bhasi, tells an intriguing story a few violent man’s final days, however leaves quite a bit unexplained

The destiny that would befall the protagonist of Chattambi is thought to us proper from the opening shot of Kariah’s (Sreenath Bhasi) bloodied physique. It raises intriguing questions in regards to the chain of occasions that may need led to his violent demise. The voices from individuals across the locality inform us that he had it coming for fairly a while, whereas just a few others sound relieved that he’s lastly gone. A nun, who appears to have been shut to his household, tells us that the bigger society by no means understood him correctly.

This units up the likelihood that he may need had some redeeming qualities in spite of everything, and the background story of how Kariah started to have that violent streak additionally provides to these expectations. Chattambi then rewinds again to occasions from just a few months again, and progressively comes nearer to the day of his demise. Yet, even on his final day, the one factor that’s lacking is that redeeming high quality, as he really seems to be a very tough and unlikeable character.


Director: Abhilash S. Kumar

Starring: Sreenath Bhasi, Chemban Vinod, Grace Antony, Mythili, Binu Pappu

Runtime: 122 minutes

Storyline: Follows the life and demise of Kariah, a henchmen with a violent streak

Abhilash S. Kumar’s directorial debut Chattambi, scripted by Alex Joseph and primarily based on a narrative by Don Palathara, is about this man and the society round him. They comprise those that use his villainy for his or her ends and those who detest him, usually being victims of his cruelty. Kariah is among the two henchmen working for the native moneylender John Muttattil (Chemban Vinod). Although John protects him from the police each time he will get into hassle, there’s a boiling rage inside him on the approach he’s being appeared down upon by his boss. It is simply a matter of time earlier than all of it bursts out within the open.

The setting within the excessive ranges lends itself to the sombre temper of the film, with the managed tempo of the narrative including to it. Despite beginning the proceedings with the protagonist’s homicide, the film by no means lays all of the playing cards on the desk. Going by the variety of individuals he has rubbed the incorrect approach, one doesn’t simply get to guess who may need finished the act, though the film shouldn’t be actually about this thriller in any respect. It is fairly focussed on some deep character research. John’s spouse Cicily (Grace Antony) is probably the most intriguing of all of them, along with her silent rage at her husband’s methods.

On many an event, with some clever staging of the scenes, the director achieves the supposed impact with out displaying us all of the disagreeable particulars. In one such sequence, Kariah, the ruthless restoration agent, is proven strolling right into a defaulter’s home, whereas his weak-minded companion Baby (Binu Pappu) stays outdoors. For the complete time, the digicam stays with Baby, as we pay attention to the screams of women and men from inside the home. The scene ends with Kariah strolling out and handing over a gold chain to Baby, who silently locations it contained in the jeep, in a mechanical movement, as if he has grown used to all of it.

However, the film leaves one with a sense that the protagonist’s character might have been developed further, as a number of the causes for his uncontrollable rage are left unexplained. So is the want for revenge in opposition to his boss. Chattambi is a well-crafted work that unhurriedly reveals a violent man’s final days.

Chattambi is at the moment working in theatres

. .