A movie that calls itself Dehati Disco cannot be taken severely, says Deepa Gahlot.

There is a saying utilized in many Hindi movies — even a damaged clock reveals the proper time twice a day. So even the worst movie can unwittingly make a sound and topical level.

Like Dehati Disco, directed by Manoj Sharma, and starring the fantastic choreographer Ganesh Acharya, shouts its anti-caste stance a number of instances, earlier than shifting to a Har Har Mahadev-chanting agenda.

A prologue, voiced by Akshay Kumar, talks of hidden expertise throughout India and the necessity to discover it, however the movie (co-written by Sharma and Acharya) isn’t India’s Got Talent in disguise.

Which is a pity, as a result of then it could have had a function of some form.

In a dance movie, it’s clear proper at the beginning, that there will likely be a contest in some unspecified time in the future, and the winner could be predicted too.

But the father-son dancing duo on this movie — Bhola (Acharya) and Bheema (Saksham Sharma) — dance to avoid wasting the village temple, to not unearth expertise, although the child is a Super Dance Chapter 3. The tyke can act too, which is greater than what could be stated concerning the assortment of hams round him.

The village of Shivpur, in Uttar Pradesh, forbids dancing, as a result of the Mahant (Manoj Joshi) says so.

He had pushed his personal son out of the home and the village for daring to shake a leg.

The son is adopted by a milkman, grows as much as be one too, and returns to the village together with his son, solely to be pushed out once more, as a result of they dance within the temple sq. and the panchayat banishes them.

This time, they get shelter with a potter.

A Mahant’s son doing low-caste jobs makes some extent about ‘insaniyat‘ (humanity) to his son.


Like in movies of the yesteryears — of which Manoj Kumar was the torchbearer — the native MLA’s (Rajesh Sharma) son ‘Don’t name me Jaikishan’ Jack, returns from ‘London-Umrika’ (like they’re neighbouring nations) after successful some dance actuality present, and needs to show the natives to breakdance.

The father, instigated by a guru with an axe to grind with the Mahant, winds up in Shivpur and insists that Jack’s dance faculty will likely be constructed proper the place the Shiv temple stands.

The Mahant is aghast, despite the fact that his different son Radhe (Ravi Kishen) is a accomplice of the MLA, the villagers are up in arms and it boils all the way down to the query: Who will stand as much as Jack in a dance competitors? Little Bheema pipes up: I’ll.

If Jack wins, the temple goes. If he loses (how can a London-Umrika conquering lad lose?), the MLA packs up.

The Mahant is all tearful and contrite.

Radhe is nervous as a result of he’s in a no-win nook.

The villagers prance round Bhola and Bheema, who dance within the discipline to the title quantity utilizing a wierd holding-tummy-and-hopping step.

Remo D’Souza is summoned to evaluate the dance off.

It’s no spoiler who wins.

The music composer is Sivamani, so there are a number of percussion beats, maybe as a result of they go effectively with Ganesh Acharya and Saksham Sharma’s rustic dancing.

Acharya, who taught a number of Bollywood males (and a few girls too) methods to dance, has a cellular face, however he does not converse. He shouts. So do many of the different males.

Women are largely ignored, that is an all-male ensemble, not stunning in a state famous for its patriarchy.

And what’s equally unusual, is that there is not even a token Muslim in sight, like there was within the outdated movies from which this one takes its inspiration and decibel degree.

The good factor is {that a} movie that calls itself Dehati Disco can’t be taken severely!

An further half star for Master Saksham and a line that rails in opposition to ‘sankuchit rudhiwad’ (slender conservatism) of the higher caste lifestyle.

Rediff Rating:

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