Photo Joshua White 4883 1

The P-Funk pioneer has grow to be an achieved painter and visible artist, increasing his universe on canvas

In 2019, George Clinton introduced a farewell tour that was supposed to finish along with his retirement. Then the pandemic occurred — and by some means, when everybody reemerged into civilization two years later, the funk legend had not solely not retired, he had one other occupation: as a veritable, gallery-represented painter. He’d at all times been a fan of visible artists like Overton Loyd and the late Pedro Bell, who helped create the look and mythology of his pioneering bands Parliament and Funkadelic. Now, he says, the pandemic had allowed him to discover his personal visible fashion. “I all of a sudden had time to work on that critically,” says Clinton, 81. “It was a blessing. I wasn’t going to be bored.”

Earlier this winter, Clinton confirmed his work at an exhibition known as “The Rhythm of Vision” on the Jeffrey Deitch Gallery in Los Angeles. (Incidentally, the Santa Monica Boulevard constructing that homes the gallery was a recording studio the place he made music many years earlier.) His work function novel motifs in addition to some that longtime followers will acknowledge: Spaceships, aliens, and different themes from the P-Funk universe really feel like an extension of the aesthetic that Clinton has cultivated because the Sixties. But portray is new for him, and meaning it’s enjoyable. “I really feel like somewhat child,” Clinton says. “Seven o’clock within the morning and I’m operating all the way down to the artwork room to give you a brand new ‘hit report.’ ”

Many of the work are testaments to his ongoing struggle to reclaim his personal work. For a few years, Clinton and his collaborators have been working to get again the rights to a lot of their catalog; when an previous music’s possession is returned, Clinton says, he performs it whereas he paints. One such work accommodates the authorized phrase “There isn’t any partnership within the possession of the Mothership.” “I’ve been combating over these items for the final 30 years,” he says with a drained smile.” So, I’ve been celebrating all of that and doing the artwork factor on the identical time.”

He and Loyd — who additionally labored on some of the items within the exhibition — gave RS a digital tour of some of Clinton’s artworks, sharing the concepts behind the pictures and the methods used to create their last, funkified but dignified types.

: .