Although the primary character’s title was impressed by the poetic line “Wednesday’s youngster is stuffed with woe,” “Wednesday” is usually a delight, thanks nearly completely to Jenna Ortega. Having outgrown her Disney Channel days, Ortega makes the Addams Family’s now-high-school-age daughter the good humourless goth sociopath you’ll ever meet, in a Netflix series that’s extra kooky than spooky or kooky.

Director Tim Burton units simply the correct visible tone – a mixture of the comedic and macabre that resembles “Edward Scissorhands” – whereas teaming up with “Smallville” producers Alfred Gough and Miles Millar, who know one thing about constructing a TV present around a rare teen. Indeed, when Wednesday will get enrolled in a new personal college, Nevermore Academy, she tells the headmistress (“Game of Thrones” Gwendoline Christie) about her frequent strikes from college to high school, “They haven’t constructed one sturdy sufficient to carry me.”

That may change at Nevermore, a Poe-etic title for this haven for the bizarre and witchy, with a supernatural vibe that’s as lot Hogwarts (or X-Men) as Charles Addams’ signature caricature.

Not solely does Wednesday need to take care of dawning psychic skills and the unusual visions that go along with them, but, a thriller emerges that turns the suspicious lass into an ill-tempered, ebon-clad Nancy Drew, attempting to determine who’s accountable because the clues start to circle again to her family tree.

It’s a pretty spinoff mashup of style components, however, the combination works partially as a result of even the smaller components being tasty, from Catherine Zeta-Jones and Luis Guzman as Wednesday’s dad and mom, Morticia and Gomez, to her sidekick Thing, who obtains a gown she desires by using – what else? – a “five-fingered low cost.” The writers extract a nice deal of comedic mileage from that extremity, so give them a hand.

What separates “Wednesday” from related efforts (Netflix’s “The Chilling Adventures of Sabrina” involves thoughts), in the end, is Ortega, who one way or the other manages to be relentlessly unusual, a portrait in unblinking depth and oddly endearing all of sudden. When the character description consists of by no means elevating one’s voice or cracking even the trace of a smile, that’s no small feat.

Throw in nifty touches like having Christina Ricci, who performed Wednesday within the Nineties films, as a part of the varsity employees, and the native sheriff (Jamie McShane) dismissing Wednesday and her classmates as “the Scooby gang,” and the series operates on several ranges.

Perhaps inevitably, “Wednesday” can’t maintain its preliminary kick because the serialized story unfolds over eight episodes, and the ending turns too chaotic. Then once more, that’s hardly a shock given the character of supply materials designed extra for little jokes than a large sweeping story.

Seeking to carry one thing new into a property like the Addams Family, which has been accomplished so many occasions earlier, isn’t straightforward without altering its DNA. To its credit score, “Wednesday” rises to the problem and largely manages to make it look like a snap.

“Wednesday” premieres November 23 on Netflix.